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borrowed them all in much shorter time span. According to me we got our democracy before we were even prepared for it. We got technology before we were even ready for it. Also we got the tools of media before we were geared for it. As with any society we inherited these tools and then indigenized them. We undergo our own flavor of democracy though a vibrant one. Our outlook towards technology is quite warped we be to use it but yet do not know its relevance and significance and do not contribute to its further growth either- and we act to just borrow technology. Media stands out a bit different- we have completely indigenized the tools and made strides in using these tools. Though we comfort continue to blatantly write and ape other societies flagrantly plagiarizing and copying the content we undergo also found our position in certain areas such as Indian Cinema (though heavily plagiarized and completely dominated by sons and daughters of erstwhile actors). Indian News (good journalistic breakthroughs but lacking in accountability) and Indian TV (having our own Indian mythology soaps and shows though copied heavily but indigenized). Indian newspaper and magazines have remained almost same and to a certain extent has even deteriorated in the last few decades. In this article. I am concerned about Indian Media in its way of handling adult circumscribe. I sight them most confused on this issue than any other. While we try to back up our ‘Great Indian Culture’ (or Bharat Sanskruti) as a way of differentiating and hence identifying ourselves vis-à-vis other cultures who we evaluate undergo degenerated we are also ordinary humans who like to see adult circumscribe in regular doses as long as it is packaged subtly under different names. In effect we are quite hypocritical about this. While we continue to enjoy the ribaldry we just don’t want to admit it. I don’t think what any consenting ‘adults’ do in their private lives is of anybody’s business other than those adults. The express should not have a say in those matters and should not interact. If those adults want to watch pornography they should be allowed. State should not command them from watching it. If two adults want to participate in different kinds of sex different kinds of positions with toys or gadgets they should not be stopped by the state or the other people. If they want to pay for it so be it. If they want to watch an adult movie in which consenting adult actors perform then it should not be a crime. As long as those consenting adults do not infringe on the rights of other individuals or other beings they are entitled to do anything in their private lives and the express or religion or any institution with authority should have no business in those affairs. Indians are quite hypocritical when it comes to issues of adult content. They do not know where they rest. This hypocrisy is coming back to haunt us since Media now touches every Indian with TV newspapers. Internet coming into our homes every day. And sex sleaze ribaldry vulgarity obscenity and soft pornography have made backroom entry into our daily lives without being labeled as such. Various media people have been using sex as selling object. I don’t object people using sex to sell their stuff but at least let’s be clear who your audience is so that we can monitor it to keep our young children away from it during the formative years. TOI is one flagrant example of how media uses sex to change itself off. A news item has a beautiful woman in sexy clothes for no apparent reason other than the fact that she is a bystander in an event that is being discussed. The daily sports column features sleaze on regular doses. A lady whose big breasts are about to pop out with nothing left to imagination is displayed in a news item for soccer be between just because she happens to be a fan and she has nothing else to do with the bet or its players. A lady with big breasts clearly outlining her nipples wearing extremely small bikini appears on sports section because she has dated a sports star in the recent past. The ‘smart’ people at TOI have realized the requirement of sexually starving Indian masses and they are tapping it. They act beaming regular doses of soft pornography at every chance. There is no reason why a certain half naked woman appears on a news item. Many a times there is no connection at all. It’s as if they have a collection of millions of semi-nude pictures of women from internet from which they act posting on regular basis. change surface Economic Times while reporting an upsurge in the market uses a woman whose skirt is flying high to indicate the happy times. Discussing a core or central financial issue would make them use the picture of woman with a deep navel. Some ‘smart’ guy at TOI thought that the navel of a woman represented centrality of the air. I will be happy to see TOI showing more skin completely getting rid of this hypocrisy stop calling themselves news reporters but then they should sell those daily editions in sealed covers intended for mature audiences. But this daily process of sleaze ribaldry and nudity to all audiences kids and adults alike without any parental hold back or monitoring system only exposes Indian hypocrisy to the hilt. Daily millions of Indian people including young kids are glued to Indian TV channels which show love-making scene in all its glory (but with clothes on) gyrating bodies aping love-making (but with clothes on) semi nudity vulgarity ribaldry sleaze on a daily basis right on primetime on regular viewing channels. Pelvic thrusts suggestive positions are all regular features nowadays beamed into every domiciliate on a daily basis. does not have special adult channels separating them from regular prime channels. All can watch sleaze at any point of time even in the mornings. Indian movies which overlap the adult content are regularly beamed on Indian TV channels sometimes change surface in mornings without getting edited or formatted for home viewing. We do not undergo PG-13 or NC-17 rating for our movies. Either a movie is completely censored or it is allowed for all public including a toddler without any parental control. Indian Cinema comes in a different league altogether. I don’t experience of any other culture on this planet that has exclusively produced such copious amount of drivel tripe crass nonsense on such a great level as Indian Cinema. This is one of hallmarks of Indian culture and shows its decadent state. While blatantly copying plagiarizing with no holds barred sanctioned by Indian courts they are masters at walking thin line between getting almost censored while showing soft pornography adult love making showing body parts in lascivious and lusty ways and downright violence spilling blood. We do not undergo categorization or ratings for our movies. All movies are watched by all and sundry without exceptions. Movies like Murder which show lovemaking (with clothes on) including all the expression of love making all the sounds of love making are attended by families with kids of all ages. in many ways. They both produce thousands of movies per year. They all undergo almost similar themes in different settings. They both undergo the same set of formulae and sequence of events. They are both very predictable on their outcomes. Everyone knows what happens next in both kinds of movies. Similarities don’t end there. No pornography movie.

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Mr. Pritish Nandy once remarked. ‘I don’t alter films for people I don’t experience’ (Temptations of the West. Pankaj Mishra. Picador). Let me add to that. ‘I don’t make films i don’t understand’. Not a profound addendum but its close to what I conclude about cinema. There are so many debates that involve us and approach us up as we go along on this journey into the creation of illusion. Perhaps that may not even be correct as it is actually the creation of ‘entertainment’; and illusion only happens to be the medium. ‘Should it be art or commercial?’. ‘Am I targeting the crowd audience or the niche?’. (and also as you debated. ’should it be a small movie or a big one?’). ‘do I put in songs or should I keep it gritty?’. ’should I act it real or melodramatic?’; and more recently. ‘Should we do it on video or film?’. While many a time we may indulge in the deliberations on these issues for me really there is just one question. ‘What kind of a enter shall I make?’ Before we talk about that. I just be to clear up one small issue. The relationship between a producer and a director. As Scorsese once put it. ‘There is only one way a producer can make a enter exactly the way he wants it. That is to enjoin it himself.’ If you don’t want to do that a producer has to rely on his director. Sure. ‘behind every successful director there is a sonofabitch producer’. A producer who thinks he knows exactly what the audience wants and the director who thinks his artistic talent is in adjust with what the audience expects from cinema; each catering with beat conviction of his abilities to the demands of the ‘consider comprehend of audience’ that exists more often in their minds than on the theatre seats. The producer prides in his ability to understand and give the audience ‘full service’. (in advertising terms not just conform to the audience but actually delight him). However the director is no less of a work. That leads me to explore the directors’ relationship with his audience. The audience is a voyeur. It wants to peep into the lives of other populate and conclude a vicarious pleasure. The websites these days where you pay to look into the lives of urban women are not far from the philosophy of cinema and its relationship with voyeurism. And the film director is their ally. He promises to show his audience exactly what is good watch able and enjoyable. The audience has to get into a relationship with the director who will fulfill their needs to ‘look’ and guides them towards what he thinks is the beat way to apply. As a director. I understand that much about my relationship with my audience. The rest of talent is my ability to make this ‘peeping’ more attractive involved and potentially gratuitous. I hope to get my audience to believe me. And when I have achieved that. ‘I am an ‘auteur’. Cinema and religion are not too different for my audience. In both they come together to gratiate a collective idea. And in both. ‘faith’ is the element that gets them together (in a perform or theatre) again and again. When the faith breaks they will move to some one else for their ‘distort of opium’. Coming from advertising. I understand what kind of an ad to make. ‘It has to be distinctive attention grabbing associative and has to have a single minded proposition (SMP). The way we do it is to act a apprise.. There are two most important elements in the creative apprise. The SMP and the ‘Creative Trigger’. Translating that into cinema. I know that my enter has to comply with the proposed brief. I undergo to know (and write it down; which makes a great difference; each evince measured and evaluated) what makes my film different from others’ (all the elements including treatment twists and turns novel ideas etc. And how am I going to creatively dissociate it from other cinema. (and (only) at times associate it with successful cinema). About the creative bit. I have always had a simple belief. Every enter has to have a ‘ooh!’ point. It could be anything. A surprise end unexpected and novel treatment impressionable music a titillating structure unseen characterizations a new take on the old (narrative or engrave) clichés a confrontation with etched beliefs and assumptions ( a un-patriotic war movie perhaps). Anything that bowls the audience over because they undergo not seen this before. Coming back to the question. ‘What kind of a movie should I alter?’ The other day. I took a cab from brick lane and the driver was a Bangladeshi guy. I was discussing the same issue with a friend of mine. The driver intervened and had a inform of believe. ‘I saw a Hindi movie recently’ he said. ‘It was called ‘bet’. The guys who made the film thought my audience is stupid so let me make a stupid movie for them. It does not bring home the bacon that way’ he concluded. I couldn’t undergo put it better let alone have more allot credentials to alter that statement. He had more to say. ‘They evaluate that the add up Asian is less intelligent than an add up American or European. So they make stupid films. It really pisses me off.’ I should undergo concluded on that say but I am not done yet. You and I understand that it may not be about intelligence but about enter literacy. And we undergo a desire way to go before we can affirm to be literate. But does that convey we should aim illiterate filmgoers? I think I undergo an argument against it if I can go my thoughts. What do we do these days? We read the news bang watch reality shows and anticipate to know what kind of a enter the audience ordain like. Ask anybody in Bollywood and they’ll express you exactly what kind of a film will work. And yet more than 90% of our films fail in the merchandise. Why? The MD of the agency that did advertising for Avis (We are no.2 so we work harder) once put drink a few principles he would bring home the bacon on with Avis. One of them said. ‘Avis will accept or evaluate any creative but they ordain not to alter it.’ Although I cannot drop to bid to it at this point you and I do understand the thought behind it. Sex is book but don’t assail the thought. Here’s another one. The assumptions we displace from failed or successful movies are not too simple to conclude. An intelligent interpreter understands that you undergo to torture them to the inform they start confessing the truth. And that’s not everybody’s cup of tea to refer conveniently to a cliché. Here’s an analysis if you like. How many great Hindi movies can you count that have failed miserably in the merchandise? Shantaram’s ‘parchayeen’. Guru Dutt’s ‘Kaagaz ke phool’. Raj Kapur’s ‘Mera Naam Joker’. Count more for me. If you can ascertain them on your fingers my inform is made. In over 70 years of filmmaking in India you can only ascertain a few great movies that have failed. However here’s another thought. Did these movies really fail? If we can talk about them fondly so many years on now. I wouldn’t believe them to have failed. be at them as long call investments. Wouldn’t you have any day made kaagaz ke phool than a few B movies that made some money but which no one will bequeath a decade from.

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A blog dedicated to entertainment where the content area includes hot actresses sexy models hot celebrities sexy babes and item girls. A beautiful displace for hot sexy and entertaining cram. Your very own loving displace. “Celina has got a very pretty approach and a great body. She is very sensual and knows how to carry her sensuality. And her attractive face and attitude just adds up to the X-Factor.”Undoubtedly the sex bombshell…the gorgeous gal laced with those sexy curves that displace lust in men’s body…she is the epitome of beauty…the poetic thought of a poet she is Celina Jaitley the very popular and fine actress of Hindi cinema. A come up known media house conducted a poll recently to find out who is the most sexiest actress in Bollywood. Do you know whose name came instantly? Ofcourse none other than our very own Celina Jaitley. She is adjudged as the most sexiest gal of Hindi filmdom followed by Mallika Sherawat and Koena Mitra. Her trillions of fans move all over the world sent her messages when heard about the poll. Celina who was in New Zealand to injure for an international project. ‘Love Has No Language’. On her being selected the most sexiest actress of Bollywood and sms’s she got from her fans. Jaitley utters. “Yes I did acquire a lot of messages and I take it as a praise. My sex appeal lies in my approach and that says it all. It’s also a lot about the right attitude.”Great going…YOU HOT SIZZLER…!!Must See Post:

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